It’s a natural evolution—our last record was sort of a heroin dirge kind of quasi-noise record, so what’s the shocking thing we could do now? 26 bands you should see at End of the Road 2015 according to the music industry 31 August 2015. You can’t carry on like that forever, you know?”, Serfs Up! Just how did the English band Fat White Family—whose first record, Champagne Holocaust, featured a song titled “Bomb Disneyland” and whose follow-up included songs about serial killers and a homoerotic country tune, “Goodbye Goebbels,” written from the perspective of Hitler in the bunker—shock people this time? life beyond the neutral zone part 5 is live…” The title, Serfs Up, is a nod to the populist era we find ourselves in—this idea of the oppressed masses reaching up and selecting more oppression for themselves. However, Lias Saoudi claims on Facebook, IDLES are 'self-neutering middle class boobs' and the critique voiced by the band (therefore) comes down to nothing more than 'sententious pedantry'. 256 Likes, 2 Comments - Lias Saoudi (@lias_saoudi) on Instagram: “SONGS IN THE KEY OF K IS OUT NOW! But it turns out quite quickly that the brothers don’t really want to speak too much about Gaga. He’s forcefully expressive across all facets of Fat White Family’s existence – an ambitious spokesman who, when pressed, will launch into a spiel about how his father’s homeland of Algeria would be the ideal backdrop for the recording of album number four, rather than being in any way taciturn about what’s next. It’s like band Vietnam: You go in there and you don’t come out the same. We definitely had an obsession with America—maybe we spent a little bit too much time there for our own good, though. When I started, it was more of a warpath thing. As your sound has gotten richer and more complex, better produced and all of that, was there a fear that you’d lose your lyrical edge or somehow soften the blow of what you sing about or write about? Idles singer Joe Talbot recently confessed he was so mad about all the brickbat-hurling that he wanted to “drive up to London” to confront Fat White Family’s Lias Saoudi. It’s a weird thing when you’re kind of playing for beer money and you’re all chipping in for a half gram of speed, and then all of a sudden everybody wants to book you and you’re the flavor of the month and all this kind of bullshit descends. “I’m in Cambridge, at my dad’s. It’s a brief break from the road, but one that’s allowing him to take stock of the kind of year that he perhaps never thought he’d have again. There’s an escapism in that—you’re trying to create your own little dream world on every track. . Find and follow posts tagged lias saoudi on Tumblr. You’ve got nowhere to go but up at that stage—it’s win-win. Definitely. They cut the microphones. They wouldn’t let us play. It’s all part of a grand scheme, you know: With all that other stuff, we were just trying to lower people’s expectations to a certain point so that when we finally delivered our master stroke, the reaction would be people who were not just shocked but utterly flabbergasted at the musical articulation on display. Ad Choices. And did anybody along the way—a manager, a label person, a close friend—try to talk you out of it or tell you that you couldn’t sell records with a name like that? Wir waren dabei und haben Bilder sowie Gedanken zum Konzert mitgebracht. There’s a line in “Rock Fishes”—"Give 'em all the pop, but take away the fizz/ Is this Rome, Babylon, or ancient Belfast?”—that’s a direct allusion to the current political quagmire we find ourselves in. That’s the way people experience life, really: A chaotic kind of glue, and everything’s bleeding into each other. Seeing your band live a couple years ago was something I may not ever forget. You’ve said earlier that “I looked at Grenfell as, like, the monolith in Space Odyssey, sent through time by Margaret Thatcher to remind us of ourselves and how far we’d fallen from grace.” If that’s Grenfell, then what’s Brexit? The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. By the time you get to the finishing stages, you feel like you’ve finally gotten this monster out of you, and you’ve made it over whatever shitty bridge needed to be crossed. It’s not just that Fat White Family appear to have successfully walked through the fire – it’s that they’ve so smartly reinvented themselves in the process. We took the road less traveled, you know? Your first album was, shall we say, relentlessly hectic, and you’ve said, about your follow-up, Songs For Our Mothers, that “we really tried to go to the extremes of what’s tasteful—or even good.” And this new one is obviously an entirely different concept? “That wasn’t baby oil,” interjects Adamczewski, “It was margarine actu LIAS SAOUDI: It’s alarming that the government, our government, doesn’t want regulation when it comes to things like the housing market. It’s looking at the fact that the UK has now been held to ransom by the last colonial outcrop of a bunch of medieval fascists known as the DUP [Northern Ireland’s Democratic Unionist Party]—they’re the guys that the Conservative Party went into a deal with in order to secure a majority in the last election. It was a bit of a phase. 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